Ansel Adams
View of the Bay Bridge from San Francisco, 1937 
Vintage gelatin silver print
Signed in pencil on the mount, the photographer's stamp (BMFA 2) on the reverse
6 3/4 x 9 1/2 in.

Beaumont Newhall
Chase National Bank, New York, 1928 
Silver gelatin print
Signed, titled and dated on mount recto 
14 x 11 in. / 35.6 x 27.9 cm

Lee Friedlander
New York City, NY, 1966
Silver gelatin print (Early 2000's)
Signed and stamped on verso
From the 2005 New York MOMA “Friedlander” retrospective exhibition
11 x 14 in. / 27.9 x 35.6 cm

Cody Cobb
Effigy, 2023
UV print on Dibond
Signed and numbered on Artist's Certificate of Authenticity
Edition 3 of 5
45 x 35 in.

Albarrán Cabrera
The Mouth of Krishna #60221, 2019
Pigments, Japanese paper and gold leaf
Signed, titled, dated and numbered on verso 
Edition 2 of 10
19 x 13 in. / 48.3 x 33 cm

Krista Svalbonas
What Remains (10), 2022
Laser cut pigment print
Edition 2 of 2 plus 1 artist's proof 
32 x 22 in. / 81 x 56 cm

Robert Adams
Summer Nights # 22", Weld County, Colorado, 1976 
Silver gelatin print (printed 1985)
Image: 5 x 5 in. 
Sheet: 14 x 11 in. 

Chris McCaw
Sunburned GSP #1057 (Mojave), 2020 
Unique gelatin silver paper negative
Signed in pencil on verso
20 x 24 in. / 50.8 x 61 cm

Alex Turner
29 Humans (Smugglers) and 12 Horses, 1-Week Interval, Patagonia Mountains, AZ, 2019
Archival pigment print
Edition 4 of 5 plus 2 artist's proofs 
36 x 36 in.

Peter Wegner
Buildings Made of Sky (Dusk to Dawn), 2024
Nine archival pigment prints, each mounted to aluminum dibond and framed in white lacquer maple frames with Optium Museum acrylic glazing
Edition of 3
Each: 21.75 x 15.25 in. 
Installed: 68 x 48.5 in.