Ansel Adams Half Dome, Sunlight on Merced River, Yosemite National Park, 1935
Extremely rare vintage matte surface gelatin silver print
Signed in pencil on the mat, recto
19 3/8 x 15 1/4 in.
Ansel Adams El Capitan, Sunrise, Winter, Yosemite National Park, California, 1968, 1968,
Printed 1976
Gelatin silver print from a Polaroid negative
Signed and numbered VII-10 in pencil mount recto
From Portfolio VII, plate 10. Edition of 108.
19 1/8 x 15 1/4 in.
Tina Modotti Convent of Tepotzotlan, Mexico (Stairs through Arches), 1924
Vintage platinum print
Signed in pencil on the mount
Titled in an unidentified hand in on the mount
4 5/8 x 3 5/8 in.
Imogen Cunningham The Unmade Bed, 1957
Vintage warm toned gelatin silver print
Signed and dated mount recto, Green Street label mount verso
9 1/2 x 12 3/4 in.
George Tice Country Road, Lancaster, Pennsylvania, 1961
Printed 1999
Gelatin silver print
Titled, dated and annotated in pencil on the reverse of the print
Signed in pencil on the mount recto
5 3/16 x 9 3/8 in.
Edward Weston Shells 6S, 1927
Vintage gelatin silver print
Signed, dated and annotated Glendale in pencil on verso
Signed in pencil on the original mount
7 1/2 x 9 3/8 in.
William Garnett
Four Sided Sand Dune, Death Valley, California, Sand Dune #2, 1954
Printed mid 1970’s
Gelatin silver print
Signed in pencil on the mount, recto
Signed and titled with artist’s studio stamp, mount verso
19 5/8 x 15 1/2 in.
Horace Bristol PBY Blister Gunner, Rescue at Rabaul, 1944, printed later
Gelatin silver print
Signed on title label attached to print, various stamps verso
From an edition of 50
15 1/4 x 14 3/4 in.
Bill Owens I Don’t Feel That Richie Playing with Guns Will Have a Negative Effect on His Personality, 1971
Printed 2022
Archival pigment print
Edition of 10
17 x 22 in.
Ansel Adams Half Dome, Sunlight on Merced River, Yosemite National Park, 1935
Extremely rare vintage matte surface gelatin silver print
Signed in pencil on the mat, recto
19 3/8 x 15 1/4 in.
Ansel Adams El Capitan, Sunrise, Winter, Yosemite National Park, California, 1968, 1968,
Printed 1976
Gelatin silver print from a Polaroid negative
Signed and numbered VII-10 in pencil mount recto
From Portfolio VII, plate 10. Edition of 108.
19 1/8 x 15 1/4 in.
Tina Modotti Convent of Tepotzotlan, Mexico (Stairs through Arches), 1924
Vintage platinum print
Signed in pencil on the mount
Titled in an unidentified hand in on the mount
4 5/8 x 3 5/8 in.
Imogen Cunningham The Unmade Bed, 1957
Vintage warm toned gelatin silver print
Signed and dated mount recto, Green Street label mount verso
9 1/2 x 12 3/4 in.
George Tice Country Road, Lancaster, Pennsylvania, 1961
Printed 1999
Gelatin silver print
Titled, dated and annotated in pencil on the reverse of the print
Signed in pencil on the mount recto
5 3/16 x 9 3/8 in.
Edward Weston Shells 6S, 1927
Vintage gelatin silver print
Signed, dated and annotated Glendale in pencil on verso
Signed in pencil on the original mount
7 1/2 x 9 3/8 in.
William Garnett
Four Sided Sand Dune, Death Valley, California, Sand Dune #2, 1954
Printed mid 1970’s
Gelatin silver print
Signed in pencil on the mount, recto
Signed and titled with artist’s studio stamp, mount verso
19 5/8 x 15 1/2 in.
Horace Bristol PBY Blister Gunner, Rescue at Rabaul, 1944, printed later
Gelatin silver print
Signed on title label attached to print, various stamps verso
From an edition of 50
15 1/4 x 14 3/4 in.
Bill Owens I Don’t Feel That Richie Playing with Guns Will Have a Negative Effect on His Personality, 1971
Printed 2022
Archival pigment print
Edition of 10
17 x 22 in.