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AIPAD Talks: The Subversive Eye: Surrealist Photography with David Raymond and Dr. William Jeffett

The Subversive Eye showcases an expansive consideration of Surrealism, a product of the discerning eye of David Raymond of Asheville, NC. The exhibition is curated by William Jeffett, Chief Curator at The Dalí Museum, and is accompanied by a catalog with full-color reproductions of all the works in the exhibition, some well-known and others rarely seen. Contributors include Hank Hine, William Jeffett, Dawn Ades and David Raymond.

Since he encountered the major exhibition catalog L’Amour fou: Photography and Surrealism (Corcoran Gallery of Art, Washington, DC) in 1985, Raymond has pushed the boundary of the definition of "the surreal,” working to expand the canon in his collecting practice. Since 2007, when over 160 works gathered by Raymond became part of the collection of the Cleveland Museum of Art, he has found that his passion for collecting has become even stronger. This is the first exhibition in a decade to debut the fruits of his labor.

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AIPAD Talks: The Subversive Eye: Surrealist Photography with David Raymond and Dr. William Jeffett
A model's face is painted onto the facade of a building by painters working on scaffolding in this black and white photo.

Heinz Hajek-Halke, Erotik ganz gro?! (Eroticism - Very Big!), Late 1920s, Gelatin silver print, © Estate of Heinz Hajek-Halke

Two masks are superimposed in this Surrealist black and white photograph.

Osamu Shiihara, Maniquinne, 1930s, Gelatin silver print, 11 1/2 x 9 1⁄2 in., Collection of David Raymond, © Estate of Osamu Shiihara, care of Tomatsu Shiihara, Japan

The images of graphic eyes are shown reflecting on the windows of an optometrist storefront and sign.

Manuel Alvarez Bravo, Parabola Optica, 1931/38-39, Gelatin silver print, 7 1⁄4 x 8 1⁄2 in. Collection of David Raymond, © Artists Rights Society (ARS), New York / ADAGP, Paris

A surrealist color photograph shows two inverted pairs of legs wearing red tights stacked on each other in a forest with a man in a dark coat partially obscured behind a tree.

Hans Bellmer, From La Poupée, Seconde parte, 1936, Gelatin silver print with hand color on mount, 4 7/8 x 3 3⁄4 in. © Artists Rights Society (ARS), New York / ADAGP, Paris